From left to right, the sculptures are Figure of a Saint (St. Michael), Skull, Hand, Egg, and Madonna Figure. From the website:
Katharina Fritsch roots her work in the personal, often drawing from childhood memories of familiar circumstances or chance encounters. Her references engage broad aspects of folklore and culture through meticulous reproductions of everyday objects, which she formally manipulates with shifts in scale and color. Made strange by repetition and siting, her sculptural installations are both seductive and disturbing. In the Proustian sense of activating memory, Fritsch’s works create an unnerving familiarity that is subsequently destabilized by the realization that we are seeing a form, a character, or an object for the very first time.
The saturated colours of the sculptures contrasted nicely with some drab buildings in the background.
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